Hadn't realise it was 3 weeks since I last posted, so much has been going on in other parts of my life, so painting and stitching have both taken a bit of a back seat as a consequence.
So I am now back on Panel 1 although, the up/down buttonhole should have been on panel 2. As you might remember I wasn't too happy with this panel as I thought I had messed up with the number of colours I used. Now I just think its the material I used as the pattern and colours are so strong. So the aim is reduce the blue and the pattern with a steady progression of stitches.
First up is a sample of the up/down button hole and Basque stitch. I have already said I like the updown stitch a lot and I liked the Basque stitch equally as well. Its a very decorative stitch and the colours I chose reflect the way I have see it being used before, in the hippy clothes of the early 70's, very mellow and laid back.
Up next the Oyster stitch. So all the brown curves in the pattern are used up so now to tackle the overwhelming blue of the material I chose. I honestly thought it would work well but didn't really think about the domination of the blue, (this particular blue which seems very cold and dark, despite being a mid blue). As I worked with the oyster stitch I saw a bough of autumn leaves appearing and I just went with it.
Finally, the Algerian eye stitch, this was a perfect stitch to break up
the blue and I could have quite happily of covered the whole piece with
them. I used a blue and cream cotton for the first patch and then blue
on blue with the second section. .
It was interesting seeing the effect
of white on blue, blue on white, mid blue on dark blue and finally dark
blue on mid blue. You would think it wouldn't make much difference but
it does completely change the stitch. I chose to do them as completely
random individual stitches, varying the shape and size as I went along
So there are now 17 stitches on this panel and finally I am beginning to like it as it begins to coalesce. Fingers crossed there are more individual stitches to come.
No comments:
Post a Comment